Fishman Pro Lbx 300 Manual
Fishman Pro Lbx 300 Manual 3,7/5 4576 reviews
- Музыкальные инструменты
- Гитары
- Гитарное усиление
- Гитарные эффекты и процессоры
- Клавишные инструменты
- Ударные инструменты
- Тарелки
- Звуковое оборудование
- Акустические системы
- Микшерные пульты
- Приборы обработки звука
- Усилители мощности
- Наушники и гарнитуры
- Конференционное оборудование
- Контроллеры акустических систем
- DJ оборудование
- Трансляционное оборудование
- Инсталляционная акустика
- Микрофоны и радиосистемы
- Радиосистемы
- Студийное оборудование
- Световое оборудование
- Вращающиеся головы
- Домашнее аудио оборудование и Hi-Fi
- Домашние кинотеатры
- Акустика
- Ресиверы и процессоры
- Проигрыватели
- Усилители звука
- Кабели и фильтры
- Караоке
- Мультимедийное оборудование
- Проекторы
- Экраны для проекторов
- Мебель
- Мебель и Hi-Fi стойки для дома
- Профессиональные стойки и кронштейны
- Видеооборудование
- Системы стабилизации
- Кофры, Чехлы, Сумки
- Осветительное оборудование
- Коммутационное оборудование
- Кабель и разъемы
- Кабель без разъемов
- Оптоволоконное оборудование
- Синхропроцессоры, эмбеддеры
- Системы управления
- Специальные AV-устройства
- Удлинители интерфейса и репитеры
- Кабель и разъемы
- Конвертеры / Преобразователи
- Профессиональные видеомониторы
- Служебная связь Intercom
- Электропитание
- AJA
- AKG
- AKMA
- ALTO
- AST
- ASW
- Accustic Arts
- Acer
- Acoustic Energy
- Akai
- Alesis
- Allen&Heath
- Ampeg
- Antall
- Apart
- Apogee
- Arcam
- Artone
- Artsound
- Asus
- Atlas
- Atomos
- Audac
- Audeze
- Audio Physic
- Audio-Technica
- Audioquest
- Aurender
- B&W
- BDI
- Barcelona
- Barco
- Becker
- Behringer
- Belden
- Bello
- Benq
- Best Vision
- Beyerdynamic
- BirdDog
- Blackmagic Design
- Bluesound
- Boss
- Bryston
- CHAUVET-DJ
- CHAUVET-PRO
- CROWN
- CVGaudio
- Cabasse
- Cambo
- Cambridge Audio
- Canare
- Canon
- Canton
- Cary Audio
- Casio
- Chief
- Christie
- Classic Solution
- Clearaudio
- Cloud
- Cordial
- Creek
- DAXX
- DBX
- DPA
- Dali
- Datavideo
- Ddrum
- Dean Guitars
- Dedolight
- Denon
- Digis
- Digitech
- Draka
- Draper
- Dune
- Dynacord
- Dynaudio
- Eartec
- Eden
- Eissound
- Elation
- Electriclight
- Electro Voice
- Elo Touch
- Emotiva
- Epiphone
- Episode
- Epson
- Evolution
- Exposure
- F&V Light
- FBT
- FIX
- Fender
- Fiio
- Fishman
- Flight
- Focal
- Focusrite
- Fyne Audio
- Genelec
- Gibson
- Greg Bennett
- HK Audio
- Heco
- Hitachi
- INVOLIGHT
- INVOTONE
- IQboard
- Ibanez
- In-Akustik
- Infocus
- Isol-8
- JBL
- JVC
- Jackson
- Jamo
- KBSound
- Kawai
- Kef
- KinoFlo
- Klipsch
- Konig&Meyer
- Korg
- Kramer
- Krell
- Kurzweil
- LEAK
- Laon
- Legacy Audio
- Lenspen
- Lexicon
- Lg
- Libec
- Line 6
- Little Lab
- Logocam
- Logovision
- Lumien
- M&K Sound
- MD
- MJ Acoustics
- MT-Power
- Mackie
- MadBoy
- Magnat
- Manfrotto
- Manuel Rodriguez
- Marantz
- Marshall
- Martin Logan
- Mesa Boogie
- Meyer Sound
- Mission
- Monitor Audio
- Munari
- Music Man
- Musical Fidelity
- Nad
- Naim Audio
- Nec
- Neumann
- Neutrik
- Niles
- Nordost
- Norstone
- Novation
- ORIS
- Onkron
- Onkyo
- Oppo
- Optoma
- Orange
- PIONEER
- PMC
- PS audio
- Panasonic
- Paradigm
- Parasound
- Pearl
- Peavey
- Peerless
- Phonak
- Piega
- Polk Audio
- PowerGrip
- Presonus
- PrimaLuna
- Primare
- Pro-Ject
- Proficient
- Promethean
- Quad
- RCF
- REL
- RME
- Radial
- Rega
- Ricoh
- Rode
- Roland
- Rotel
- Ruark Audio
- RusRay
- SMS
- SPL
- SVS
- SZ-Audio
- Sachtler
- Sakura
- SanDisk
- Sennheiser
- Shure
- Sigma
- Silent Wire
- Sim2
- Smart
- Solidsteel
- Sonance
- Sonorous
- Sonos
- Sonus Faber
- Sony
- Soundcast
- Soundcraft
- Speaker Craft
- Supra
- T+A
- TAGA Harmony
- Takamine
- Tama
- Tannoy
- Tascam
- Teac
- Teleview
- Tempo
- Trace Elliot
- Trafomatic Audio
- Triangle
- Turbosound
- Ultrasone
- V-Moda
- VOX
- Van Den Hul
- Velodyne
- Viewscreen
- Viewsonic
- Vincent
- Vivitek
- Vogels
- Vutec
- Warwick
- Wharfedale
- Wize
- Yamaha
- ZOOM
- Zappiti
- Zildjian
- iTECHmount
- non
- Алми
- Октава
- ТПН
Fishman REP-LB3-ACJ AC Jack for PRO-LBX-300. Expected to ship out in 8-10 business days. Add to Cart Call for Info Fishman REP-SL1-WFR SA220 Replacement Woofer. Find many great new & used options and get the best deals for Fishman Loudbox PRO-LBX-700 Performer Dual-Channel Guitar Amplifier at the best online prices at eBay! Free shipping for many products!
Показать всё ▼
View and Download Fishman Isys user manual online. ISYS ONBOARD PREAMPS. Isys amplifier pdf manual download. Also for: Isys t, Isys plus. The Loudbox Performer features 180 watts of transparent bi-amplified acoustic sound and two versatile input channels that accept both 1/4” and XLR sources for instruments and microphones. Each channel includes Fishman’s renowned 3-band EQ, feedback-fighting controls, and a new effects section for more tonal options than ever before. Product Dimensions 39.37 x 28.45 x 48.77 cm; 15.88 Kilograms Item model number PRO-LBX-300 Audio Wattage 130 Item Weight 15 kg 900 g Manufacturer. Download Fishman user manuals, owners guides and PDF instructions.
Артикул:A072222Краткое описание товара:
Уточните наличие!
Производитель:
1 год
Download pokemon black for android tablet. Весь ассортимент представленный на сайте производителя Вы можете приобрести в нашем интернет-магазине VISmedia.ru
Вы будуте перемещены через: 6Технические характеристики
Описание
Комбо усилитель для акустической гитары, 60 Вт.
Мощность: 60 Вт.
2 раздельных канала: Инструментальный и микрофонный.
AUX вход (1/4' и 1/8').
Для инструментального канала:
Вход Jack 1/4' для активных и пассивных звукоснимателей.
3-х полосный эквалайзер.
Для Микрофонного канала:
Fishman Pro Lbx 300 Manual Online
2-х полосный эквалайзер.
Габариты: В х Ш х Г (м) 0.355 х 0.398 х 0.296.
Скрыть форму
Отзывы о товаре (0)
Похожие товары
22 300 р.
Комбоусилитель IBANEZ T80II TROUBADOUR ACOUSTIC COMBO
28 200 р.
43 200 р.
45 100 р.
more.. Gear • Reviews • Fishman • Amps • Acoustic Amps • Sound Samples| Download Example 1 Flat | |
| Download Example 2 With Reverb and Chorus | |
| Download Example 3 With Gain | |
| Download Example 4 Drop D with Gain | |
| All clips recorded with a Yamaha Dreadnaught with factory onboard preamp and undersaddle pickup. | |
The latest addition to thecompany’s Loudbox amplifierline (which debuted in 1993),the Loudbox Mini carries onFishman traditions of quality,sonic versatility, and practicality.Offering 60 watts of powerin a small, super-light, and ultra-affordablepackage, the combois a breeze to tote in one hand andpowerful enough to fill just aboutany smaller gig space.
Rock Solid, Feather Light
Like most of the Fishman amps I’ve played,the Mini feels stout and appears flawlesslyassembled. You get the feeling you canthrow it in the back seat, take it on the subway—even strap it to your bike rack if youneeded to—without worrying a lick aboutwhether or not it will work when you get tothe gig.
The understated little Fishman is alsodesigned as elegantly as a mid-century hi-fisystem, and its subdued brown-and-tanmotif makes the controls easy to find, reach,read, and adjust. Each channel has its ownsimple control set. The far-left Instrumentchannel has a Phase switch, plus Gain, Low,Mid, High, Reverb, and Chorus knobs. Asimpler set of Gain, Low, High, and Reverbknobs are on the Mic channel, and a Mastervolume sets the amp’s overall level.
The back panel features a D.I. out to feedthe house system or a slave amp, 1/4' and1/8' auxiliary inputs, and the power switch—all readily accessible without tilting the amp(or crawling around on hands and knees witha flashlight or lighter in the middle of a gig).
My only complaint about the design is thatyou can’t angle the Mini back any further(which might be nice for certain monitoringsituations) without placing a book or somesupport under the front of the amp. Thespeaker baffle has 10 degrees of built-in tilt,which compensates to some extent. Andgiven the Mini’s light weight, it’s no problemto elevate it with a light stool or milk crate.All things considered, the amp’s portabilityand small footprint are a fair trade forreduced tilt-back capability.
Big Bass for a Little Box
To run the Loudbox Mini through its paces, Iused a Yamaha FG cutaway dreadnought witha factory-installed undersaddle pickup and preamp,a Taylor 312ce with a Taylor ExpressionSystem, and a Taylor 712 with a Dean MarkleyProMag soundhole pickup. It was easy to geta warm and natural sound out of the Ministraight away with its tone controls set fl at, theGain and Master volume about a third of theway up, and just a smidge of reverb.
The first real surprise came when I turnedup the bass EQ controls on the Taylor 312ceand the Yamaha. With the low end kicked upon the guitars, the Mini’s bass response andcharacter expanded drastically—becomingrich, colorful, and heavy without dominatingthe higher frequencies. Plugging in the Taylor/ProMag combo and boosting the amp’sbass control produced a similar, if slightlywoolier version of the same effect. But evenat this low volume, the amp sounded muchbigger and more powerful than its diminutivedimensions suggest.
Higher volume didn’t diminish the color orpotency of the Mini’s bass sounds. Withthe bass control dialed up to 75 percentof maximum, fingerpicking and flatpickingarpeggios in DADGAD and C–G–C–G–C–Ctuning coaxed low end that was detailedand rich in overtones and sustain. Even witha neighbor’s massive upright bass pluggedin, the Mini held up just fine, kicking outcolorful, well-defined low-end tones withoutmuddiness or a hint of breakup.